Pavan Malhotra, one of our finest actors, shows us another side of Bollywood.
'Single life is pretty good. I like the attention. If I feel lonely, I just call my mom and she sleeps in my bed,' Kalki Koechlin tells Rediff.com contributor Paloma Sharma.
How things have changed for Dev Patel!
'Truth is stranger than fiction. You cannot think these things up.' 'What happens is weird enough.'
'You have to be very equipped to even want to have children.' 'There are entrance exams for even MBAs ...and this is a life we're talking about.'
'You don't need a godfather to protect you from dangers of Bollywood because nobody will.'
'I wish there was a little chaos there and I wish there was a little discipline here.' Actress Tannishtha Chatterjee on Bollywood and Hollywood.
'The first time we actually got to meet a Bollywood star, it was Salman Khan.' 'We met him at his farm house.' 'For Pia, an actor is just an actor. There is no such thing as a star in her world, and that may or may not go down well with some people.'
Some police encounters that stunned India.
Great chefs are alchemists. They put ingredients and flavours together in ways that are sometimes unfathomable, says Rahul Jacob.
'I personally consider Indian cinema as one of the most creative and powerful forms of cinematic expression in the world.' 'An average Indian film is 10 times better than a costly American production because of the creativity involved.'
Amitabh Bachchan remembers Holi over the years.
A look at B-town stars who turned die-hard fans onscreen!
Shraddha Kapoor and Aditya Roy Kapur talk about the film, OK Jaanu, and the link ups rumours that surround them.
'He cooked chicken curry and so because of him, curries entered the British royal kitchens.' 'Eventually, he became a political advisor to the queen.' 'This guy was disrupting the royal household. It sent shockwaves...' Ali Fazal on his character Abdul Karim and working with acting legend Judi Dench.
'The film released when I was in Class 8. Most of the characters in it inspired me' says Sarvesh Mehtani.
Director Ritesh Batra discusses his film, The Lunchbox, which releases this week.
'The new Indian cinema has still not found its voice and identity. It's trapped under the deadwood weight of Bollywood and popular Indian cinema.'
One of India's greatest actors -- someone who acted in 14 Satyajit Ray films -- doesn't get good movie roles anymore.
A look at the top posts on social media from your favourite Bollywood celebrities.
Jaane Bhi Do Yaaro is one of the best and most uncompromised films of Indian cinema, says Sukanya Verma.
'The more I lived in India, the more I realised that America was my home too.'
From being noticed in a supporting role as her debut to Cannes glory, Richa Chadha has come a long way in Bollywood.
In our special series re-visiting great Hindi film classics, we look back at Sanjeev Kumar's Dastak (1970).
How do you translate a first love into a profession? How do you become a writer once you set your heart on it? Susmita Bhattacharya, who once worked as a graphic designer in Mumbai, now teaches the basics of English to newcomers to Britain and is also a creative writing tutor. Her first novel The Normal State of Mind was published earlier this year after a grim battle with cancer.
Quikr founder & CEO Pranay Chulet tells Raghu Krishnan and Bibhu Ranjan Mishra why money has never been an issue for Quikr and that someday he will make a romantic comedy.
Volunteers dressed as clowns visit hospitals and old-age homes to spread cheer and dispel the gloom of ill health and old age.
Ajit Mishra, vice president, Research, Religare Broking, answers your queries.
'The 17-year-old boy, who pulled out Nirbhaya's intestines, should have got the harshest punishment because he was not human at the time.' 'Instead, he was given a sewing machine and some money to have a new beginning!' 'Are we giving out incentives?' 'Are we telling our unemployed youth that if they do something like this, the government will give them jobs?'
How a bus conductor named Shivaji Gaekwad became the mega-phenomenon called Rajinikanth.
'Muslims and Dalits must erase the way they remember their past, or carry out their their performances in private,' says Jyoti Punwani, as Maharashtra's Censor Board denies permission to a play Jai Bhim, Jai Bharat.
As a child, Sufal Das used to dream of becoming a dhaki. But a life full of adversities, and dwindling popularity of the dhak, has made him regret his dream.
'Muslim actors like Dilip Kumar thought they had to give themselves Hindu names to be acceptable. Was their caution justified?' 'My view is that Indians, of all faiths, are tolerant. Secular is a complicated word and I do not know if I can use it in this instance. Tolerance is something that is inherently Subcontinental.'
In his book Restart, Mihir Sharma minces no words in pointing out that faulty policies, the lackadaisical attitude of bureaucrats and a few wrong decisions of past governments have hampered India's growth.
Dubbing artiste Meghana Erande talks about some of her most important projects and how she found success in a niche industry.
It is a sign of evolution in filmmaking, writes Sukanya Verma.
Bollywood is rushing to embrace him, but Vivian Fernandes aka DIVINE wants to rap his own tune, discovers Shreevatsa Nevatia.
Brijesh Kumar Saroj, the son of a poor weaver, overcame every hardship, to make it to IIT-Bombay. When he cleared the IIT entrance exam, villagers threw stones at his home because he is Dalit. This has only hardened his resolve to 'make it in life'.
